He achieved texture through a new technique of injecting wax into rubber molds allowing great flexibility in both texture and shape. His distinctive industrial and space-age shapes incorporated diamonds and other precious gems. The jewelry became popular and as a result, Avon began to produce jewelry in the latter years of the decade giving them a spot in the top ten jewelry designers.įinnish sculptor and designer Bjorn Weckstrom increased the reputation of Scandinavian design by creating jewels for the Lapponia Jewellery Company of Helsinki. Originally a perfume brand founded in the 1880s, Avon began to include jewelry as a gift item for customers in 1963. Many historians of vintage jewelry regard Trifari as the pioneer brand that popularized custom jewelry all over the world.ĭuring the 1960s, Trifari’s vintage jewelry was particularly valuable and popular, thanks to its French designer Alfred Philippe, who also designed for Van Cleef and Arpels. Trifari was founded in the 19th century by Gustavo Trifari, an Italian immigrant to the United States. But that was not before giving us 1960s fashion designers like Francois, Gene Verecchio, Oscar Placco, Robert Geissman, and Mass Raimond who went on to establish their own lines. The “friction” ear clip and the “barrel clutch” for pierced ears were invented by Monet.ĭespite kicking off with relatively unknown designers in the 1920s, the Coro brand peaked in the 1960s and after women began to wear beads, their stocks fell abruptly and they quietly shut their doors. Monet was responsible for several technological advancements in jewelry production in the ‘60s. Granville was at the forefront of their success in the jewelry industry, as his nature-inspired signature motifs dominated until his death in 1969. Monet became a force in the jewelry industry after hiring designer Edmond Mario Granville from Cartier. Sarah Coventry jewelry was sold in matching sets such as coordinating bracelets, necklaces, and earrings.Īlthough jewelry sold by Sarah Coventry was very popular in the 1960s, the company became bankrupt in 1981 and its popularity has waned ever since.įounded in 1919 by Michael and Joseph Chernow, Monet was initially a monogramming business that became prominent in the 1920s. Due to its pocket-friendly retail pricing system, the brand became popular as its jewelry became more common at home parties. Webb was primarily inspired by nature, an inspiration which is evident in many of his animal motifs such as the zebra motif (which is featured in his company’s logo).Įstablished in 1949, the American 1960s fashion designers quickly rose to prominence in the 1960s. Despite kicking off with conservative designs in the 1950s, Webb became reputed for his use of bold colors, volumes, and structures. In addition to being gifted with super creative eyes, Webb was far more skilled than many designers. The American jewelry design icon is the producer of numerous signature designs, many of which have stood the test of time. Inspired by nature, Boivin, along with Suzanne Belperron and Juliette Moutard, created some of the most unique designs ever made in the jewelry industry with their nature-inspired sculptural jewelry. Boivin is the sister of Paul Poiret, the widely regarded couturier whose groundbreaking designs changed the fashion industry in the 1920s. This season Dossena referenced a metal-link jumpsuit Hardy wore in 1968, the same year that Brigitte Bardot sported Rabanne in the music video for her song “Contact” (written by Serge Gainsbourg) and Jane Fonda modeled the designer’s futuristic costumes in Barbarella.Jeanne Boivin is widely regarded as one of the finest jewelry designers of the 20th century. The collector Peggy Guggenheim was one of his first customers, and the yé-yé star Françoise Hardy became a fan. (He’d later sell DIY kits consisting of discs, rings, and pliers.) Rabanne’s designs existed in the space between art and fashion, and they were irresistible. Arguing that “sewing is a bondage,” he made dresses not of fabric, but of earth-friendly paper and other non-fashion materials like plastic and metal, which were pieced together with wire and glue. Two years later, in 1966, he had his breakout show: “Twelve Unwearable Dresses in Contemporary Materials.” Presenting at the George V, Rabanne broke utterly with convention, using music (which wasn’t done at the time) and including models of color in his casting. When he was 30, Rabanne presented his first fashion designs.
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